# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Love's Labour's Lost
[I, 1]

Biron

35

I can but say their protestation over;
So much, dear liege, I have already sworn,
That is, to live and study here three years.
But there are other strict observances;
As, not to see a woman in that term,
Which I hope well is not enrolled there;
And one day in a week to touch no food
And but one meal on every day beside,
The which I hope is not enrolled there;
And then, to sleep but three hours in the night,
And not be seen to wink of all the day—
When I was wont to think no harm all night
And make a dark night too of half the day—
Which I hope well is not enrolled there:
O, these are barren tasks, too hard to keep,
Not to see ladies, study, fast, not sleep!

2

Love's Labour's Lost
[I, 1]

Ferdinand

58

Why, that to know, which else we should not know.

3

Love's Labour's Lost
[I, 1]

Biron

61

Come on, then; I will swear to study so,
To know the thing I am forbid to know:
As thus,—to study where I well may dine,
When I to feast expressly am forbid;
Or study where to meet some mistress fine,
When mistresses from common sense are hid;
Or, having sworn too hard a keeping oath,
Study to break it and not break my troth.
If study's gain be thus and this be so,
Study knows that which yet it doth not know:
Swear me to this, and I will ne'er say no.

4

Love's Labour's Lost
[I, 1]

Biron

74

Why, all delights are vain; but that most vain,
Which with pain purchased doth inherit pain:
As, painfully to pore upon a book
To seek the light of truth; while truth the while
Doth falsely blind the eyesight of his look:
Light seeking light doth light of light beguile:
So, ere you find where light in darkness lies,
Your light grows dark by losing of your eyes.
Study me how to please the eye indeed
By fixing it upon a fairer eye,
Who dazzling so, that eye shall be his heed
And give him light that it was blinded by.
Study is like the heaven's glorious sun
That will not be deep-search'd with saucy looks:
Small have continual plodders ever won
Save base authority from others' books
These earthly godfathers of heaven's lights
That give a name to every fixed star
Have no more profit of their shining nights
Than those that walk and wot not what they are.
Too much to know is to know nought but fame;
And every godfather can give a name.

5

Love's Labour's Lost
[I, 1]

Biron

153

Necessity will make us all forsworn
Three thousand times within this three years' space;
For every man with his affects is born,
Not by might master'd but by special grace:
If I break faith, this word shall speak for me;
I am forsworn on 'mere necessity.'
So to the laws at large I write my name:
[Subscribes]
And he that breaks them in the least degree
Stands in attainder of eternal shame:
Suggestions are to other as to me;
But I believe, although I seem so loath,
I am the last that will last keep his oath.
But is there no quick recreation granted?

6

Love's Labour's Lost
[I, 1]

Ferdinand

167

Ay, that there is. Our court, you know, is haunted
With a refined traveller of Spain;
A man in all the world's new fashion planted,
That hath a mint of phrases in his brain;
One whom the music of his own vain tongue
Doth ravish like enchanting harmony;
A man of complements, whom right and wrong
Have chose as umpire of their mutiny:
This child of fancy, that Armado hight,
For interim to our studies shall relate
In high-born words the worth of many a knight
From tawny Spain lost in the world's debate.
How you delight, my lords, I know not, I;
But, I protest, I love to hear him lie
And I will use him for my minstrelsy.

7

Love's Labour's Lost
[I, 1]

Costard

223

Not a word of Costard yet.

8

Love's Labour's Lost
[I, 1]

Costard

228

Be to me and every man that dares not fight!

9

Love's Labour's Lost
[I, 1]

Biron

275

This is not so well as I looked for, but the best
that ever I heard.

10

Love's Labour's Lost
[I, 1]

Ferdinand

290

This maid will not serve your turn, sir.

11

Love's Labour's Lost
[I, 2]

Don Adriano de Armado

338

I love not to be crossed.

12

Love's Labour's Lost
[I, 2]

Moth

339

[Aside] He speaks the mere contrary; crosses love not him.

13

Love's Labour's Lost
[I, 2]

Moth

398

If she be made of white and red,
Her faults will ne'er be known,
For blushing cheeks by faults are bred
And fears by pale white shown:
Then if she fear, or be to blame,
By this you shall not know,
For still her cheeks possess the same
Which native she doth owe.
A dangerous rhyme, master, against the reason of
white and red.

14

Love's Labour's Lost
[I, 2]

Don Adriano de Armado

408

Is there not a ballad, boy, of the King and the Beggar?

15

Love's Labour's Lost
[I, 2]

Moth

409

The world was very guilty of such a ballad some
three ages since: but I think now 'tis not to be
found; or, if it were, it would neither serve for
the writing nor the tune.

16

Love's Labour's Lost
[I, 2]

Costard

452

Let me not be pent up, sir: I will fast, being loose.

17

Love's Labour's Lost
[I, 2]

Costard

457

Nay, nothing, Master Moth, but what they look upon.
It is not for prisoners to be too silent in their
words; and therefore I will say nothing: I thank
God I have as little patience as another man; and
therefore I can be quiet.

18

Love's Labour's Lost
[I, 2]

Don Adriano de Armado

463

I do affect the very ground, which is base, where
her shoe, which is baser, guided by her foot, which
is basest, doth tread. I shall be forsworn, which
is a great argument of falsehood, if I love. And
how can that be true love which is falsely
attempted? Love is a familiar; Love is a devil:
there is no evil angel but Love. Yet was Samson so
tempted, and he had an excellent strength; yet was
Solomon so seduced, and he had a very good wit.
Cupid's butt-shaft is too hard for Hercules' club;
and therefore too much odds for a Spaniard's rapier.
The first and second cause will not serve my turn;
the passado he respects not, the duello he regards
not: his disgrace is to be called boy; but his
glory is to subdue men. Adieu, valour! rust rapier!
be still, drum! for your manager is in love; yea,
he loveth. Assist me, some extemporal god of rhyme,
for I am sure I shall turn sonnet. Devise, wit;
write, pen; for I am for whole volumes in folio.

19

Love's Labour's Lost
[II, 1]

Princess of France

497

Good Lord Boyet, my beauty, though but mean,
Needs not the painted flourish of your praise:
Beauty is bought by judgement of the eye,
Not utter'd by base sale of chapmen's tongues:
I am less proud to hear you tell my worth
Than you much willing to be counted wise
In spending your wit in the praise of mine.
But now to task the tasker: good Boyet,
You are not ignorant, all-telling fame
Doth noise abroad, Navarre hath made a vow,
Till painful study shall outwear three years,
No woman may approach his silent court:
Therefore to's seemeth it a needful course,
Before we enter his forbidden gates,
To know his pleasure; and in that behalf,
Bold of your worthiness, we single you
As our best-moving fair solicitor.
Tell him, the daughter of the King of France,
On serious business, craving quick dispatch,
Importunes personal conference with his grace:
Haste, signify so much; while we attend,
Like humble-visaged suitors, his high will.

20

Love's Labour's Lost
[II, 1]

Princess of France

581

'Fair' I give you back again; and 'welcome' I have
not yet: the roof of this court is too high to be
yours; and welcome to the wide fields too base to be mine.