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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Love's Labour's Lost
[III, 1] |
Don Adriano de Armado |
788 |
How hast thou purchased this experience?
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2 |
Love's Labour's Lost
[III, 1] |
Costard |
876 |
Thou hast no feeling of it, Moth: I will speak that l'envoy:
I Costard, running out, that was safely within,
Fell over the threshold and broke my shin.
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3 |
Love's Labour's Lost
[IV, 1] |
Princess of France |
1084 |
Thou hast mistaken his letter. Come, lords, away.
[To ROSALINE]
Here, sweet, put up this: 'twill be thine another day.
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4 |
Love's Labour's Lost
[IV, 3] |
Biron |
1342 |
[Aside] Shot, by heaven! Proceed, sweet Cupid:
thou hast thumped him with thy bird-bolt under the
left pap. In faith, secrets!
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5 |
Love's Labour's Lost
[IV, 3] |
Biron |
1481 |
Now step I forth to whip hypocrisy.
[Advancing]
Ah, good my liege, I pray thee, pardon me!
Good heart, what grace hast thou, thus to reprove
These worms for loving, that art most in love?
Your eyes do make no coaches; in your tears
There is no certain princess that appears;
You'll not be perjured, 'tis a hateful thing;
Tush, none but minstrels like of sonneting!
But are you not ashamed? nay, are you not,
All three of you, to be thus much o'ershot?
You found his mote; the king your mote did see;
But I a beam do find in each of three.
O, what a scene of foolery have I seen,
Of sighs, of groans, of sorrow and of teen!
O me, with what strict patience have I sat,
To see a king transformed to a gnat!
To see great Hercules whipping a gig,
And profound Solomon to tune a jig,
And Nestor play at push-pin with the boys,
And critic Timon laugh at idle toys!
Where lies thy grief, O, tell me, good Dumain?
And gentle Longaville, where lies thy pain?
And where my liege's? all about the breast:
A caudle, ho!
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6 |
Love's Labour's Lost
[IV, 3] |
Ferdinand |
1524 |
What present hast thou there?
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7 |
Love's Labour's Lost
[V, 1] |
Costard |
1799 |
An I had but one penny in the world, thou shouldst
have it to buy gingerbread: hold, there is the very
remuneration I had of thy master, thou halfpenny
purse of wit, thou pigeon-egg of discretion. O, an
the heavens were so pleased that thou wert but my
bastard, what a joyful father wouldst thou make me!
Go to; thou hast it ad dunghill, at the fingers'
ends, as they say.
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8 |
Love's Labour's Lost
[V, 1] |
Holofernes |
1873 |
Via, goodman Dull! thou hast spoken no word all this while.
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9 |
Love's Labour's Lost
[V, 2] |
Biron |
2550 |
Because thou hast no face.
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