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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Love's Labour's Lost
[II, 1] |
Biron |
603 |
Did not I dance with you in Brabant once?
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2 |
Love's Labour's Lost
[II, 1] |
Rosaline |
604 |
Did not I dance with you in Brabant once?
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3 |
Love's Labour's Lost
[V, 1] |
Dull |
1876 |
I'll make one in a dance, or so; or I will play
On the tabour to the Worthies, and let them dance the hay.
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4 |
Love's Labour's Lost
[V, 2] |
Boyet |
2004 |
They do, they do: and are apparell'd thus.
Like Muscovites or Russians, as I guess.
Their purpose is to parle, to court and dance;
And every one his love-feat will advance
Unto his several mistress, which they'll know
By favours several which they did bestow.
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5 |
Love's Labour's Lost
[V, 2] |
Rosaline |
2029 |
But shall we dance, if they desire to't?
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6 |
Love's Labour's Lost
[V, 2] |
Rosaline |
2103 |
Play, music, then! Nay, you must do it soon.
[Music plays]
Not yet! no dance! Thus change I like the moon.
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7 |
Love's Labour's Lost
[V, 2] |
Ferdinand |
2106 |
Will you not dance? How come you thus estranged?
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8 |
Love's Labour's Lost
[V, 2] |
Rosaline |
2112 |
Since you are strangers and come here by chance,
We'll not be nice: take hands. We will not dance.
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9 |
Love's Labour's Lost
[V, 2] |
Ferdinand |
2124 |
If you deny to dance, let's hold more chat.
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10 |
Love's Labour's Lost
[V, 2] |
Biron |
2316 |
Thus pour the stars down plagues for perjury.
Can any face of brass hold longer out?
Here stand I. lady, dart thy skill at me;
Bruise me with scorn, confound me with a flout;
Thrust thy sharp wit quite through my ignorance;
Cut me to pieces with thy keen conceit;
And I will wish thee never more to dance,
Nor never more in Russian habit wait.
O, never will I trust to speeches penn'd,
Nor to the motion of a schoolboy's tongue,
Nor never come in vizard to my friend,
Nor woo in rhyme, like a blind harper's song!
Taffeta phrases, silken terms precise,
Three-piled hyperboles, spruce affectation,
Figures pedantical; these summer-flies
Have blown me full of maggot ostentation:
I do forswear them; and I here protest,
By this white glove;—how white the hand, God knows!—
Henceforth my wooing mind shall be express'd
In russet yeas and honest kersey noes:
And, to begin, wench,—so God help me, la!—
My love to thee is sound, sans crack or flaw.
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