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As in a theatre, the eyes of men,
After a well-graced actor leaves the stage,
Are idly bent on him that enters next,
Thinking his prattle to be tedious.

      — King Richard II, Act V Scene 2

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KEYWORD: b

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Love's Labour's Lost
[V, 1]

Holofernes

1750

He draweth out the thread of his verbosity finer
than the staple of his argument. I abhor such
fanatical phantasimes, such insociable and
point-devise companions; such rackers of
orthography, as to speak dout, fine, when he should
say doubt; det, when he should pronounce debt,—d,
e, b, t, not d, e, t: he clepeth a calf, cauf;
half, hauf; neighbour vocatur nebor; neigh
abbreviated ne. This is abhominable,—which he
would call abbominable: it insinuateth me of
insanie: anne intelligis, domine? to make frantic, lunatic.

2

Love's Labour's Lost
[V, 1]

Moth

1781

Yes, yes; he teaches boys the hornbook. What is a,
b, spelt backward, with the horn on his head?

3

Love's Labour's Lost
[V, 2]

Katharine

1923

Fair as a text B in a copy-book.

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