# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

King Lear
[I, 1]

Earl of Kent

192

Fare thee well, King. Since thus thou wilt appear,
Freedom lives hence, and banishment is here.
[To Cordelia] The gods to their dear shelter take thee, maid,
That justly think'st and hast most rightly said!
[To Regan and Goneril] And your large speeches may your deeds
approve,
That good effects may spring from words of love.
Thus Kent, O princes, bids you all adieu;
He'll shape his old course in a country new. Exit.

2

King Lear
[I, 1]

King of France

273

Fairest Cordelia, that art most rich, being poor;
Most choice, forsaken; and most lov'd, despis'd!
Thee and thy virtues here I seize upon.
Be it lawful I take up what's cast away.
Gods, gods! 'tis strange that from their cold'st neglect
My love should kindle to inflam'd respect.
Thy dow'rless daughter, King, thrown to my chance,
Is queen of us, of ours, and our fair France.
Not all the dukes in wat'rish Burgundy
Can buy this unpriz'd precious maid of me.
Bid them farewell, Cordelia, though unkind.
Thou losest here, a better where to find.

3

King Lear
[I, 5]

Fool

923

She that's a maid now, and laughs at my departure,
Shall not be a maid long, unless things be cut shorter