# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry IV, Part II
[I, 3]

Lord Bardolph

641

Yes, if this present quality of war-
Indeed the instant action, a cause on foot-
Lives so in hope, as in an early spring
We see th' appearing buds; which to prove fruit
Hope gives not so much warrant, as despair
That frosts will bite them. When we mean to build,
We first survey the plot, then draw the model;
And when we see the figure of the house,
Then we must rate the cost of the erection;
Which if we find outweighs ability,
What do we then but draw anew the model
In fewer offices, or at least desist
To build at all? Much more, in this great work—
Which is almost to pluck a kingdom down
And set another up—should we survey
The plot of situation and the model,
Consent upon a sure foundation,
Question surveyors, know our own estate
How able such a work to undergo-
To weigh against his opposite; or else
We fortify in paper and in figures,
Using the names of men instead of men;
Like one that draws the model of a house
Beyond his power to build it; who, half through,
Gives o'er and leaves his part-created cost
A naked subject to the weeping clouds
And waste for churlish winter's tyranny.

2

Henry IV, Part II
[II, 4]

Doll Tearsheet

1569

By my troth, thou't set me a-weeping, an thou say'st so.
Prove that ever I dress myself handsome till thy return.
hearken a' th' end.

3

Henry IV, Part II
[IV, 4]

Henry IV

2767

Nothing but well to thee, Thomas of Clarence.
How chance thou art not with the Prince thy brother?
He loves thee, and thou dost neglect him, Thomas.
Thou hast a better place in his affection
Than all thy brothers; cherish it, my boy,
And noble offices thou mayst effect
Of mediation, after I am dead,
Between his greatness and thy other brethren.
Therefore omit him not; blunt not his love,
Nor lose the good advantage of his grace
By seeming cold or careless of his will;
For he is gracious if he be observ'd.
He hath a tear for pity and a hand
Open as day for melting charity;
Yet notwithstanding, being incens'd, he is flint;
As humorous as winter, and as sudden
As flaws congealed in the spring of day.
His temper, therefore, must be well observ'd.
Chide him for faults, and do it reverently,
When you perceive his blood inclin'd to mirth;
But, being moody, give him line and scope
Till that his passions, like a whale on ground,
Confound themselves with working. Learn this, Thomas,
And thou shalt prove a shelter to thy friends,
A hoop of gold to bind thy brothers in,
That the united vessel of their blood,
Mingled with venom of suggestion—
As, force perforce, the age will pour it in—
Shall never leak, though it do work as strong
As aconitum or rash gunpowder.

4

Henry IV, Part II
[V, 5]

Dancer

3711

First my fear, then my curtsy, last my speech. My fear, is your
displeasure; my curtsy, my duty; and my speech, to beg your pardons.
If you look for a good speech now, you undo me; for what I have
to say is of mine own making; and what, indeed, I should say will, I doubt,
prove mine own marring. But to the purpose, and so to the
venture.

Be it known to you, as it is very well, I was lately here in the
end of a displeasing play, to pray your patience for it and to
promise you a better. I meant, indeed, to pay you with this; which if like an
ill venture it come unluckily home, I break, and you, my gentle
creditors, lose. Here I promis'd you I would be, and here I
commit my body to your mercies. Bate me some, and I will pay you some,
and, as most debtors do, promise you infinitely; and so I kneel down
before you—but, indeed, to pray for the Queen.

If my tongue cannot entreat you to acquit me, will you command
me to use my legs? And yet that were but light payment—to dance out of
your debt. But a good conscience will make any possible
satisfaction, and so would I. All the gentlewomen here have
forgiven me. If the gentlemen will not, then the gentlemen do not agree
with the gentlewomen, which was never seen before in such an assembly.

One word more, I beseech you. If you be not too much cloy'd
with fat meat, our humble author will continue the story, with Sir John in
it, and make you merry with fair Katherine of France; where, for
anything I know, Falstaff shall die of a sweat, unless already 'a
be killed with your hard opinions; for Oldcastle died a martyr and
this is not the man. My tongue is weary; when my legs are too, I will
bid you good night.