# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry IV, Part II
[II, 1]

Falstaff

885

Glasses, glasses, is the only drinking; and for thy
walls, a pretty slight drollery, or the story of the
the German hunting, in water-work, is worth a thousand of
bed-hangers and these fly-bitten tapestries. Let it be ten
if thou canst. Come, and 'twere not for thy humours, there's
a better wench in England. Go, wash thy face, and draw the
action. Come, thou must not be in this humour with me; dost
know me? Come, come, I know thou wast set on to this.

2

Henry IV, Part II
[II, 3]

Lady Percy

1163

O, yet, for God's sake, go not to these wars!
The time was, father, that you broke your word,
When you were more endear'd to it than now;
When your own Percy, when my heart's dear Harry,
Threw many a northward look to see his father
Bring up his powers; but he did long in vain.
Who then persuaded you to stay at home?
There were two honours lost, yours and your son's.
For yours, the God of heaven brighten it!
For his, it stuck upon him as the sun
In the grey vault of heaven; and by his light
Did all the chivalry of England move
To do brave acts. He was indeed the glass
Wherein the noble youth did dress themselves.
He had no legs that practis'd not his gait;
And speaking thick, which nature made his blemish,
Became the accents of the valiant;
For those who could speak low and tardily
Would turn their own perfection to abuse
To seem like him: so that in speech, in gait,
In diet, in affections of delight,
In military rules, humours of blood,
He was the mark and glass, copy and book,
That fashion'd others. And him—O wondrous him!
O miracle of men!—him did you leave—
Second to none, unseconded by you—
To look upon the hideous god of war
In disadvantage, to abide a field
Where nothing but the sound of Hotspur's name
Did seem defensible. So you left him.
Never, O never, do his ghost the wrong
To hold your honour more precise and nice
With others than with him! Let them alone.
The Marshal and the Archbishop are strong.
Had my sweet Harry had but half their numbers,
To-day might I, hanging on Hotspur's neck,
Have talk'd of Monmouth's grave.

3

Henry IV, Part II
[II, 4]

Pistol

1427

These be good humours, indeed! Shall packhorses,
And hollow pamper'd jades of Asia,
Which cannot go but thirty mile a day,
Compare with Caesars, and with Cannibals,
And Troiant Greeks? Nay, rather damn them with
King Cerberus; and let the welkin roar.
Shall we fall foul for toys?