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If my gossip Report be an honest woman of her word.

      — The Merchant of Venice, Act III Scene 1

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1-3 of 3 total

KEYWORD: fashion

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

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The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

Henry IV, Part II
[II, 4]

Hostess Quickly

1299

By my troth, this is the old fashion; you two never
but you fall to some discord. You are both, i' good truth, as
rheumatic as two dry toasts; you cannot one bear with
confirmities. What the good-year! one must bear, and that
you. You are the weaker vessel, as as they say, the emptier
vessel.

2

Henry IV, Part II
[III, 2]

Falstaff

2172

Fare you well, gentle gentlemen. [Exeunt JUSTICES] On,
Bardolph; lead the men away. [Exeunt all but FALSTAFF] As I
return, I will fetch off these justices. I do see the bottom of
justice Shallow. Lord, Lord, how subject we old men are to this
vice of lying! This same starv'd justice hath done nothing but
prate to me of the wildness of his youth and the feats he hath
done about Turnbull Street; and every third word a lie, duer paid
to the hearer than the Turk's tribute. I do remember him at
Clement's Inn, like a man made after supper of a cheese-paring.
When 'a was naked, he was for all the world like a fork'd radish,
with a head fantastically carved upon it with a knife. 'A was so
forlorn that his dimensions to any thick sight were invisible. 'A
was the very genius of famine; yet lecherous as a monkey, and the
whores call'd him mandrake. 'A came ever in the rearward of the
fashion, and sung those tunes to the overscutch'd huswifes that
he heard the carmen whistle, and sware they were his fancies or
his good-nights. And now is this Vice's dagger become a squire,
and talks as familiarly of John a Gaunt as if he had been sworn
brother to him; and I'll be sworn 'a ne'er saw him but once in
the Tiltyard; and then he burst his head for crowding among the
marshal's men. I saw it, and told John a Gaunt he beat his own
name; for you might have thrust him and all his apparel into an
eel-skin; the case of a treble hautboy was a mansion for him, a
court—and now has he land and beeves. Well, I'll be acquainted
with him if I return; and 't shall go hard but I'll make him a
philosopher's two stones to me. If the young dace be a bait for
the old pike, I see no reason in the law of nature but I may snap
at him. Let time shape, and there an end. Exit

3

Henry IV, Part II
[V, 2]

Henry IV

3292

This new and gorgeous garment, majesty,
Sits not so easy on me as you think.
Brothers, you mix your sadness with some fear.
This is the English, not the Turkish court;
Not Amurath an Amurath succeeds,
But Harry Harry. Yet be sad, good brothers,
For, by my faith, it very well becomes you.
Sorrow so royally in you appears
That I will deeply put the fashion on,
And wear it in my heart. Why, then, be sad;
But entertain no more of it, good brothers,
Than a joint burden laid upon us all.
For me, by heaven, I bid you be assur'd,
I'll be your father and your brother too;
Let me but bear your love, I'll bear your cares.
Yet weep that Harry's dead, and so will I;
But Harry lives that shall convert those tears
By number into hours of happiness.

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