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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Henry IV, Part II
[II, 1] |
Hostess Quickly |
740 |
I am undone by his going; I warrant you, he's an
infinitive thing upon my score. Good Master Fang, hold him
Good Master Snare, let him not scape. 'A comes continuantly
Pie-corner—saving your manhoods—to buy a saddle; and he is
indited to dinner to the Lubber's Head in Lumbert Street, to
Master Smooth's the silkman. I pray you, since my exion is
ent'red, and my case so openly known to the world, let him be
brought in to his answer. A hundred mark is a long one for a
lone woman to bear; and I have borne, and borne, and borne;
have been fubb'd off, and fubb'd off, and fubb'd off, from
day to that day, that it is a shame to be thought on. There
honesty in such dealing; unless a woman should be made an ass
a beast, to bear every knave's wrong.
[Enter SIR JOHN FALSTAFF, PAGE, and BARDOLPH]
Yonder he comes; and that arrant malmsey-nose knave,
with him. Do your offices, do your offices, Master Fang and
Master Snare; do me, do me, do me your offices.
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2 |
Henry IV, Part II
[II, 2] |
Edward Poins |
1036 |
Come, you virtuous ass, you bashful fool, must you be
blushing? Wherefore blush you now? What a maidenly
are you become! Is't such a matter to get a pottle-pot's
maidenhead?
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