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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
As You Like It
[I, 1] |
Orlando |
38 |
Ay, better than him I am before knows me. I know you are
my eldest brother; and in the gentle condition of blood, you
should so know me. The courtesy of nations allows you my better
in that you are the first-born; but the same tradition takes not
away my blood, were there twenty brothers betwixt us. I have as
much of my father in me as you, albeit I confess your coming
before me is nearer to his reverence.
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2 |
As You Like It
[I, 2] |
Rosalind |
203 |
Ay, marry, now unmuzzle your wisdom.
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3 |
As You Like It
[I, 2] |
Rosalind |
275 |
Ay, my liege; so please you give us leave.
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4 |
As You Like It
[I, 2] |
Celia |
361 |
Ay. Fare you well, fair gentleman.
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5 |
As You Like It
[I, 3] |
Frederick |
471 |
Ay, Celia; we stay'd her for your sake,
Else had she with her father rang'd along.
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6 |
As You Like It
[II, 1] |
First Lord |
595 |
O, yes, into a thousand similes.
First, for his weeping into the needless stream:
'Poor deer,' quoth he 'thou mak'st a testament
As worldlings do, giving thy sum of more
To that which had too much.' Then, being there alone,
Left and abandoned of his velvet friends:
'Tis right'; quoth he 'thus misery doth part
The flux of company.' Anon, a careless herd,
Full of the pasture, jumps along by him
And never stays to greet him. 'Ay,' quoth Jaques
'Sweep on, you fat and greasy citizens;
'Tis just the fashion. Wherefore do you look
Upon that poor and broken bankrupt there?'
Thus most invectively he pierceth through
The body of the country, city, court,
Yea, and of this our life; swearing that we
Are mere usurpers, tyrants, and what's worse,
To fright the animals, and to kill them up
In their assign'd and native dwelling-place.
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7 |
As You Like It
[II, 4] |
Touchstone |
734 |
Ay, now am I in Arden; the more fool I; when I was at
home I was in a better place; but travellers must be content.
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8 |
As You Like It
[II, 4] |
Rosalind |
737 |
Ay, be so, good Touchstone. Look you, who comes here, a
young man and an old in solemn talk.
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9 |
As You Like It
[III, 2] |
Rosalind |
1279 |
Ay, but the feet were lame, and could not bear themselves
without the verse, and therefore stood lamely in the verse.
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10 |
As You Like It
[III, 2] |
Celia |
1327 |
You must borrow me Gargantua's mouth first; 'tis a word too
great for any mouth of this age's size. To say ay and no to these
particulars is more than to answer in a catechism.
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11 |
As You Like It
[IV, 1] |
Rosalind |
1843 |
Ay, of a snail; for though he comes slowly, he carries
his house on his head- a better jointure, I think, than you make
a woman; besides, he brings his destiny with him.
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12 |
As You Like It
[IV, 1] |
Rosalind |
1896 |
Ay, and twenty such.
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13 |
As You Like It
[IV, 1] |
Rosalind |
1908 |
Ay, but when?
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14 |
As You Like It
[IV, 1] |
Rosalind |
1949 |
Ay, go your ways, go your ways. I knew what you would
prove; my friends told me as much, and I thought no less. That
flattering tongue of yours won me. 'Tis but one cast away, and
so, come death! Two o'clock is your hour?
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15 |
As You Like It
[IV, 1] |
Orlando |
1953 |
Ay, sweet Rosalind.
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16 |
As You Like It
[V, 1] |
Audrey |
2195 |
Ay, I know who 'tis; he hath no interest in me in the
world; here comes the man you mean.
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17 |
As You Like It
[V, 1] |
William |
2210 |
Ay, sir, I thank God.
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18 |
As You Like It
[V, 1] |
William |
2216 |
Ay, sir, I have a pretty wit.
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19 |
As You Like It
[V, 2] |
Orlando |
2274 |
Ay, and greater wonders than that.
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