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I never knew so young a body with so old a head.

      — The Merchant of Venice, Act IV Scene 1

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KEYWORD: their

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

Antony and Cleopatra
[I, 1]

Philo

2

Nay, but this dotage of our general's
O'erflows the measure: those his goodly eyes,
That o'er the files and musters of the war
Have glow'd like plated Mars, now bend, now turn,
The office and devotion of their view
Upon a tawny front: his captain's heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper,
And is become the bellows and the fan
To cool a gipsy's lust.
[Flourish. Enter ANTONY, CLEOPATRA, her Ladies,]
the Train, with Eunuchs fanning her]
Look, where they come:
Take but good note, and you shall see in him.
The triple pillar of the world transform'd
Into a strumpet's fool: behold and see.

2

Antony and Cleopatra
[I, 1]

Antony

59

Fie, wrangling queen!
Whom every thing becomes, to chide, to laugh,
To weep; whose every passion fully strives
To make itself, in thee, fair and admired!
No messenger, but thine; and all alone
To-night we'll wander through the streets and note
The qualities of people. Come, my queen;
Last night you did desire it: speak not to us.
[Exeunt MARK ANTONY and CLEOPATRA with]
their train]

3

Antony and Cleopatra
[I, 2]

Alexas

151

Lo, now, if it lay in their hands to make me a
cuckold, they would make themselves whores, but
they'ld do't!

4

Antony and Cleopatra
[I, 2]

Messenger

172

Ay:
But soon that war had end, and the time's state
Made friends of them, joining their force 'gainst Caesar;
Whose better issue in the war, from Italy,
Upon the first encounter, drave them.

5

Antony and Cleopatra
[I, 2]

Domitius Enobarus

256

Why, sir, give the gods a thankful sacrifice. When
it pleaseth their deities to take the wife of a man
from him, it shows to man the tailors of the earth;
comforting therein, that when old robes are worn
out, there are members to make new. If there were
no more women but Fulvia, then had you indeed a cut,
and the case to be lamented: this grief is crowned
with consolation; your old smock brings forth a new
petticoat: and indeed the tears live in an onion
that should water this sorrow.

6

Antony and Cleopatra
[I, 4]

(stage directions)

422

[Enter OCTAVIUS CAESAR, reading a letter, LEPIDUS,]
and their Train]

7

Antony and Cleopatra
[I, 4]

Octavius

440

You are too indulgent. Let us grant, it is not
Amiss to tumble on the bed of Ptolemy;
To give a kingdom for a mirth; to sit
And keep the turn of tippling with a slave;
To reel the streets at noon, and stand the buffet
With knaves that smell of sweat: say this
becomes him,—
As his composure must be rare indeed
Whom these things cannot blemish,—yet must Antony
No way excuse his soils, when we do bear
So great weight in his lightness. If he fill'd
His vacancy with his voluptuousness,
Full surfeits, and the dryness of his bones,
Call on him for't: but to confound such time,
That drums him from his sport, and speaks as loud
As his own state and ours,—'tis to be chid
As we rate boys, who, being mature in knowledge,
Pawn their experience to their present pleasure,
And so rebel to judgment.

8

Antony and Cleopatra
[I, 5]

Cleopatra

582

O well-divided disposition! Note him,
Note him good Charmian, 'tis the man; but note him:
He was not sad, for he would shine on those
That make their looks by his; he was not merry,
Which seem'd to tell them his remembrance lay
In Egypt with his joy; but between both:
O heavenly mingle! Be'st thou sad or merry,
The violence of either thee becomes,
So does it no man else. Met'st thou my posts?

9

Antony and Cleopatra
[II, 1]

Pompey

620

Whiles we are suitors to their throne, decays
The thing we sue for.

10

Antony and Cleopatra
[II, 1]

Pompey

667

I know not, Menas,
How lesser enmities may give way to greater.
Were't not that we stand up against them all,
'Twere pregnant they should square between
themselves;
For they have entertained cause enough
To draw their swords: but how the fear of us
May cement their divisions and bind up
The petty difference, we yet not know.
Be't as our gods will have't! It only stands
Our lives upon to use our strongest hands.
Come, Menas.

11

Antony and Cleopatra
[II, 2]

Octavius

739

You may be pleased to catch at mine intent
By what did here befal me. Your wife and brother
Made wars upon me; and their contestation
Was theme for you, you were the word of war.

12

Antony and Cleopatra
[II, 2]

Antony

743

You do mistake your business; my brother never
Did urge me in his act: I did inquire it;
And have my learning from some true reports,
That drew their swords with you. Did he not rather
Discredit my authority with yours;
And make the wars alike against my stomach,
Having alike your cause? Of this my letters
Before did satisfy you. If you'll patch a quarrel,
As matter whole you have not to make it with,
It must not be with this.

13

Antony and Cleopatra
[II, 2]

Octavius

819

I do not much dislike the matter, but
The manner of his speech; for't cannot be
We shall remain in friendship, our conditions
So differing in their acts. Yet if I knew
What hoop should hold us stanch, from edge to edge
O' the world I would pursue it.

14

Antony and Cleopatra
[II, 2]

Agrippa

835

To hold you in perpetual amity,
To make you brothers, and to knit your hearts
With an unslipping knot, take Antony
Octavia to his wife; whose beauty claims
No worse a husband than the best of men;
Whose virtue and whose general graces speak
That which none else can utter. By this marriage,
All little jealousies, which now seem great,
And all great fears, which now import their dangers,
Would then be nothing: truths would be tales,
Where now half tales be truths: her love to both
Would, each to other and all loves to both,
Draw after her. Pardon what I have spoke;
For 'tis a studied, not a present thought,
By duty ruminated.

15

Antony and Cleopatra
[II, 2]

Domitius Enobarus

914

I will tell you.
The barge she sat in, like a burnish'd throne,
Burn'd on the water: the poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggar'd all description: she did lie
In her pavilion—cloth-of-gold of tissue—
O'er-picturing that Venus where we see
The fancy outwork nature: on each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-colour'd fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.

16

Antony and Cleopatra
[II, 2]

Domitius Enobarus

931

Her gentlewomen, like the Nereides,
So many mermaids, tended her i' the eyes,
And made their bends adornings: at the helm
A seeming mermaid steers: the silken tackle
Swell with the touches of those flower-soft hands,
That yarely frame the office. From the barge
A strange invisible perfume hits the sense
Of the adjacent wharfs. The city cast
Her people out upon her; and Antony,
Enthroned i' the market-place, did sit alone,
Whistling to the air; which, but for vacancy,
Had gone to gaze on Cleopatra too,
And made a gap in nature.

17

Antony and Cleopatra
[II, 5]

Cleopatra

1058

And when good will is show'd, though't come
too short,
The actor may plead pardon. I'll none now:
Give me mine angle; we'll to the river: there,
My music playing far off, I will betray
Tawny-finn'd fishes; my bended hook shall pierce
Their slimy jaws; and, as I draw them up,
I'll think them every one an Antony,
And say 'Ah, ha! you're caught.'

18

Antony and Cleopatra
[II, 6]

Menas

1335

All men's faces are true, whatsome'er their hands are.

19

Antony and Cleopatra
[II, 6]

Domitius Enobarus

1354

I think so too. But you shall find, the band that
seems to tie their friendship together will be the
very strangler of their amity: Octavia is of a
holy, cold, and still conversation.

20

Antony and Cleopatra
[II, 6]

Domitius Enobarus

1359

Not he that himself is not so; which is Mark Antony.
He will to his Egyptian dish again: then shall the
sighs of Octavia blow the fire up in Caesar; and, as
I said before, that which is the strength of their
amity shall prove the immediate author of their
variance. Antony will use his affection where it is:
he married but his occasion here.

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