Please wait

We are searching the Open Source Shakespeare database
for your request. Searches usually take 1-30 seconds.

progress graphic

Here will be an old abusing of God's patience and the king's English.

      — The Merry Wives of Windsor, Act I Scene 4

SEARCH TEXTS  

Plays  +  Sonnets  +  Poems  +  Concordance  +  Advanced Search  +  About OSS

Search results

1-20 of 27 total

KEYWORD: where

---

For an explanation of each column,
tap or hover over the column's title.

# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[I, 2]

Captain

55

True, madam: and, to comfort you with chance,
Assure yourself, after our ship did split,
When you and those poor number saved with you
Hung on our driving boat, I saw your brother,
Most provident in peril, bind himself,
Courage and hope both teaching him the practise,
To a strong mast that lived upon the sea;
Where, like Arion on the dolphin's back,
I saw him hold acquaintance with the waves
So long as I could see.

2

Twelfth Night
[I, 5]

Maria

296

Nay, either tell me where thou hast been, or I will
not open my lips so wide as a bristle may enter in
way of thy excuse: my lady will hang thee for thy absence.

3

Twelfth Night
[I, 5]

Maria

303

A good lenten answer: I can tell thee where that
saying was born, of 'I fear no colours.'

4

Twelfth Night
[I, 5]

Feste

305

Where, good Mistress Mary?

5

Twelfth Night
[I, 5]

Olivia

512

A comfortable doctrine, and much may be said of it.
Where lies your text?

6

Twelfth Night
[II, 3]

Feste

738

[Sings]
O mistress mine, where are you roaming?
O, stay and hear; your true love's coming,
That can sing both high and low:
Trip no further, pretty sweeting;
Journeys end in lovers meeting,
Every wise man's son doth know.

7

Twelfth Night
[II, 3]

Maria

870

Sport royal, I warrant you: I know my physic will
work with him. I will plant you two, and let the
fool make a third, where he shall find the letter:
observe his construction of it. For this night, to
bed, and dream on the event. Farewell.

8

Twelfth Night
[II, 4]

Viola

910

It gives a very echo to the seat
Where Love is throned.

9

Twelfth Night
[II, 4]

Feste

947

Come away, come away, death,
And in sad cypress let me be laid;
Fly away, fly away breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O, prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O, where
Sad true lover never find my grave,
To weep there!

10

Twelfth Night
[II, 4]

Feste

968

Now, the melancholy god protect thee; and the
tailor make thy doublet of changeable taffeta, for
thy mind is a very opal. I would have men of such
constancy put to sea, that their business might be
every thing and their intent every where; for that's
it that always makes a good voyage of nothing. Farewell.

11

Twelfth Night
[II, 5]

Malvolio

1075

Calling my officers about me, in my branched velvet
gown; having come from a day-bed, where I have left
Olivia sleeping,—

12

Twelfth Night
[II, 5]

Malvolio

1128

[Reads]
I may command where I adore;
But silence, like a Lucrece knife,
With bloodless stroke my heart doth gore:
M, O, A, I, doth sway my life.

13

Twelfth Night
[II, 5]

Malvolio

1139

'I may command where I adore.' Why, she may command
me: I serve her; she is my lady. Why, this is
evident to any formal capacity; there is no
obstruction in this: and the end,—what should
that alphabetical position portend? If I could make
that resemble something in me,—Softly! M, O, A,
I,—

14

Twelfth Night
[III, 1]

Feste

1271

Foolery, sir, does walk about the orb like the sun,
it shines every where. I would be sorry, sir, but
the fool should be as oft with your master as with
my mistress: I think I saw your wisdom there.

15

Twelfth Night
[III, 2]

Fabian

1420

She did show favour to the youth in your sight only
to exasperate you, to awake your dormouse valour, to
put fire in your heart and brimstone in your liver.
You should then have accosted her; and with some
excellent jests, fire-new from the mint, you should
have banged the youth into dumbness. This was
looked for at your hand, and this was balked: the
double gilt of this opportunity you let time wash
off, and you are now sailed into the north of my
lady's opinion; where you will hang like an icicle
on a Dutchman's beard, unless you do redeem it by
some laudable attempt either of valour or policy.

16

Twelfth Night
[III, 2]

Sir Andrew Aguecheek

1452

Where shall I find you?

17

Twelfth Night
[III, 2]

Sir Toby Belch

1469

Look, where the youngest wren of nine comes.

18

Twelfth Night
[III, 2]

Sir Toby Belch

1486

Come, bring us, bring us where he is.

19

Twelfth Night
[III, 4]

Olivia

1544

I have sent after him: he says he'll come;
How shall I feast him? what bestow of him?
For youth is bought more oft than begg'd or borrow'd.
I speak too loud.
Where is Malvolio? he is sad and civil,
And suits well for a servant with my fortunes:
Where is Malvolio?

20

Twelfth Night
[III, 4]

Sir Toby Belch

1701

[Reads] 'I will waylay thee going home; where if it
be thy chance to kill me,'—

] Back to the concordance menu