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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Twelfth Night
[I, 3] |
Sir Andrew Aguecheek |
164 |
Good Mistress Accost, I desire better acquaintance.
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2 |
Twelfth Night
[I, 3] |
Sir Andrew Aguecheek |
166 |
Good Mistress Mary Accost,—
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3 |
Twelfth Night
[I, 3] |
Sir Andrew Aguecheek |
174 |
An you part so, mistress, I would I might never
draw sword again. Fair lady, do you think you have
fools in hand?
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4 |
Twelfth Night
[I, 3] |
Sir Toby Belch |
230 |
Wherefore are these things hid? wherefore have
these gifts a curtain before 'em? are they like to
take dust, like Mistress Mall's picture? why dost
thou not go to church in a galliard and come home in
a coranto? My very walk should be a jig; I would not
so much as make water but in a sink-a-pace. What
dost thou mean? Is it a world to hide virtues in?
I did think, by the excellent constitution of thy
leg, it was formed under the star of a galliard.
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5 |
Twelfth Night
[I, 5] |
Feste |
305 |
Where, good Mistress Mary?
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6 |
Twelfth Night
[II, 3] |
Feste |
738 |
[Sings]
O mistress mine, where are you roaming?
O, stay and hear; your true love's coming,
That can sing both high and low:
Trip no further, pretty sweeting;
Journeys end in lovers meeting,
Every wise man's son doth know.
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7 |
Twelfth Night
[II, 3] |
Malvolio |
821 |
Mistress Mary, if you prized my lady's favour at any
thing more than contempt, you would not give means
for this uncivil rule: she shall know of it, by this hand.
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8 |
Twelfth Night
[III, 1] |
Feste |
1271 |
Foolery, sir, does walk about the orb like the sun,
it shines every where. I would be sorry, sir, but
the fool should be as oft with your master as with
my mistress: I think I saw your wisdom there.
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9 |
Twelfth Night
[III, 1] |
Viola |
1396 |
By innocence I swear, and by my youth
I have one heart, one bosom and one truth,
And that no woman has; nor never none
Shall mistress be of it, save I alone.
And so adieu, good madam: never more
Will I my master's tears to you deplore.
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10 |
Twelfth Night
[III, 4] |
Malvolio |
1652 |
How now, mistress!
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11 |
Twelfth Night
[V, 1] |
Orsino |
2526 |
Madam, I am most apt to embrace your offer.
[To VIOLA]
Your master quits you; and for your service done him,
So much against the mettle of your sex,
So far beneath your soft and tender breeding,
And since you call'd me master for so long,
Here is my hand: you shall from this time be
Your master's mistress.
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12 |
Twelfth Night
[V, 1] |
Orsino |
2593 |
Pursue him and entreat him to a peace:
He hath not told us of the captain yet:
When that is known and golden time convents,
A solemn combination shall be made
Of our dear souls. Meantime, sweet sister,
We will not part from hence. Cesario, come;
For so you shall be, while you are a man;
But when in other habits you are seen,
Orsino's mistress and his fancy's queen.
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